This new history of partition and South Asian cinema is narrated through the careers of émigré film personnel, as well as through the distinctive genres and a

In this groundbreaking book, Richard Farmer provides a social and cultural history of cinemas and cinemagoing in Britain between 1939 and 1945, and explores the

Asian history.

Balancing leading scholars with emerging trendsetters, this Companion offers fresh perspectives on Asian cinemas and charts new constellations in the field with