Examines changing attitudes among Germans as evident in films of the modern German era, leading away from guilt and atonement and seeking national identity.

* Winner of the National Book Critics Circle Award * Silver Medal Society of Illustrators * * Named a Best Book of the Year by The New York Times, The Boston Gl

In discussions of postcolonial nationhood and cultural identity, Taiwan is often overlooked. Yet the island—with its complex history of colonization—present

At the center of this pioneering work in modern European history is the German word Heimat—the homeland, the local place. Translations barely penetrate the me

Brings into focus central aspects of developments in European film and media culture. Through studies of both film and television the question of national ident