Steege explores Helmholtz's significance within a historical shift in the theory and practice of listening in nineteenth-century European culture.

The musical writings of scientist Hermann von Helmholtz (1821–94) have long been considered epoch-making in the histories of both science and aesthetics. Wide

Sound and Science in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship b

Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion

In this book the expert international contributors attempt to answer questions such as: How far is it possible to attribute change in contemporary Russia as due