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Irony, Satire, Parody, and the Grotesque in the Music of Shostakovich
Language: en
Pages: 422
Authors: Esti Sheinberg
Categories: Music
Type: BOOK - Published: 2000 - Publisher: Routledge

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The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the rel
Bartók and the Grotesque
Language: en
Pages: 204
Authors: Julie A. Brown
Categories: Music
Type: BOOK - Published: 2007-01-01 - Publisher: Ashgate Publishing, Ltd.

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In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios fe
Shostakovich and His World
Language: en
Pages: 436
Authors: Laurel E. Fay
Categories: Biography & Autobiography
Type: BOOK - Published: 2004-08-15 - Publisher: Princeton University Press

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is
On Russian Music
Language: en
Pages: 417
Authors: Richard Taruskin
Categories: Music
Type: BOOK - Published: 2008-12-02 - Publisher: Univ of California Press

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Over the past four decades, Richard Taruskin's publications have redefined the field of Russian-music study. This volume gathers thirty-six essays on composers
Bartók and the Grotesque
Language: en
Pages: 193
Authors: Julie Brown
Categories: Music
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

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The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbol