Nietzsche's Ecce Homo was published posthumously in 1908, eight years after his death, and has been variously described ever since as useless, mad, or merely in

This book demonstrates that Nietzsche's autobiographical and much-maligned Ecce Homo is a sophisticated satire by which the thinker unifies his disparate corpus

Introduction by Peter Gay Translated and edited by Walter Kaufmann Commentary by Martin Heidegger, Albert Camus, and Gilles Deleuze One hundred years after his

Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. For he regarded the significance of art to

Analyzing the importance of joy, laughter, and cheerfulness in Nietzsche's thought, this volume addresses an under-examined topic in the secondary literature. B