Musical semiotics is a new discipline and paradigm of both semiotics and musicology. In its tradition, the current volume constitutes a radically new solution t

Of all the repertories of Western Art music, none is as explicitly listener-oriented as that of the late eighteenth and early nineteenth centuries. Yet few atte

"In Mozart and Enlightenment Semiotics, Stephen Rumph shifts the ground of interpretation for late eighteenth century European music by reinstating the semiotic

Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its s

For thousands of years music in India has been considered a signifying art. Indian music creates and represents meanings of all kings, some of which extend outw