The ten essays in this volume examine the survival of Spain's once famous Classical tradition and linguistic barriers. The essays are grouped into two parts: Re

«Pero yo vi la isla perdida y oí las voces de sus habitantes al hundirse. En mi mano, cubierta desde entonces con una venda negra, como la llevara Amaranta en

Focusing on Odin Teatret's latest work, this discussion is updated by drawing on fresh research. The group's productions since 2000 are included and the book of

Political theatre, like any kind of political action, can only be judged in relation to the political moment in which it tries to intervene. Theatre of the Oppr