Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but ana

Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but ana

The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manu

Modern musical training tends to focus primarily on performance practices of the Classical and Romantic periods, and most performers come to the music of the Re

Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, i