Recaptures the lost history of the physical and moral perils that faced audiences at American movie theatres during the first fifty years of the cinema.

During the first fifty years of the American cinema, the act of going to the movies was a risky process, fraught with a number of possible physical and moral da

In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods

The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on

Why might interdependence, the idea that we are made up of our relations, be horrifying? Philosophy, Film, and the Dark Side of Interdependence argues that phil