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This book is written from a composer's point of view and is intended to be a reference book for the analysis of arranging techniques. Its aim is to help compose
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When we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research
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This study focuses on a continued evaluation and integration of Schenker’s work, specifically the role of his ever-deepening understanding of counterpoint in