Cinema After Deleuze

Cinema After Deleuze
Author :
Publisher : A&C Black
Total Pages : 186
Release :
ISBN-10 : 9780826438928
ISBN-13 : 082643892X
Rating : 4/5 (92X Downloads)

Book Synopsis Cinema After Deleuze by : Richard Rushton

Download or read book Cinema After Deleuze written by Richard Rushton and published by A&C Black. This book was released on 2012-03-29 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: A clear and concise overview of and introduction to Deleuze's theories of cinema.


Cinema After Deleuze Related Books

Cinema After Deleuze
Language: en
Pages: 186
Authors: Richard Rushton
Categories: Performing Arts
Type: BOOK - Published: 2012-03-29 - Publisher: A&C Black

DOWNLOAD EBOOK

A clear and concise overview of and introduction to Deleuze's theories of cinema.
Deleuze and Cinema
Language: en
Pages: 392
Authors: Felicity Colman
Categories: Performing Arts
Type: BOOK - Published: 2011-06-01 - Publisher: Berg

DOWNLOAD EBOOK

Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histor
Deleuze's Cinema Books
Language: en
Pages: 513
Authors: David Deamer
Categories: Performing Arts
Type: BOOK - Published: 2016-09-08 - Publisher: Edinburgh University Press

DOWNLOAD EBOOK

Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures
Deleuze on Music, Painting, and the Arts
Language: en
Pages: 246
Authors: Ronald Bogue
Categories: Philosophy
Type: BOOK - Published: 2014-02-04 - Publisher: Routledge

DOWNLOAD EBOOK

Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as
Cinema: The time-image
Language: en
Pages: 366
Authors: Gilles Deleuze
Categories: Performing Arts
Type: BOOK - Published: 1986 - Publisher: U of Minnesota Press

DOWNLOAD EBOOK

Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories