A proposal that an embodied cognition approach to music research—drawing on work in computer science, psychology, brain science, and musicology—offers a pro

Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciousl

We experience and understand the world, including music, through body movement–when we hear something, we are able to make sense of it by relating it to our b

The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the rol

A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is it