21 years ago it was a joint idea with Hans Rottenkolber to organize a workshop dedicated to the discussion of the latest results in the automatic processing of

Combining a lyrical text, immersive staging and an enigmatic and compelling performance style, Autobiographer draws us into the unravelling mind of its central

Are the performing arts really supposed to be so radical that, as John Cage once said in the context of music, “there is no noise, only sound,” since “he