The volume reveals, through contemporary Russian eyes, how the foundations of the hugely popular Russian classical repertory were laid, providing a vivid pictur

This second anthology of Russian writing on Russian music begins in 1880 (where the first volume concluded) and ends in 1917. It brings the thoughts of leading

Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of

Building on long-forgotten archives and detailed case studies, Representing Russia's Orient reveals how complex representations of oriental subjects in nineteen

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music.