"Robert Henri and artists of the Ashcan Circle and the Eight stand today as America's first modern art movement: rejecting their academic training and the centu

100 greatest works by Bellows, Sloan, and the other painters of the Ashcan School.

"Around the turn of the century, American art was at a low ebb. Painting was in a hopeless state of nothingness. Sentimental landscapes were produced by the hun

"Zurier vividly locates the Ashcan School artists within the early twentieth-century crosscurrents of newspaper journalism, literary realism, illustration, soci