This book explores how the comparative analysis of visual cultural artefacts, from objects to architecture and fiction films, can contribute to our understandin

America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we look

The author traces the history and theory of visual culture asking how and why visual media have become so central to contemporary everyday life. He explores a w

Popular and Visual Culture: Design, Circulation and Consumption is a transnational project that fosters a dialogue with multiple origins, both in geographical a

Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet h