Om Francesco Rosi, Pier Paolo Pasolini, Bernardo Bertolucci, Marco Bellocchio, Gillo Pontecorvo, Elio Petri, Lina Wertmüller.

"[This book] explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directo

Federico Fellini is often considered a disengaged filmmaker, interested in self-referential dreams and grotesquerie rather than contemporary politics. This book

"This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confr

Despite recent societal anti-political sentiments, Italian cinema has continued to address politics, including reflections on public life, memory, and national