A Guide to Post-classical Narration

A Guide to Post-classical Narration
Author :
Publisher : Bloomsbury Publishing USA
Total Pages : 277
Release :
ISBN-10 : 9781501393099
ISBN-13 : 150139309X
Rating : 4/5 (09X Downloads)

Book Synopsis A Guide to Post-classical Narration by : Eleftheria Thanouli

Download or read book A Guide to Post-classical Narration written by Eleftheria Thanouli and published by Bloomsbury Publishing USA. This book was released on 2023-11-16 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A Guide to Post-classical Narration, Eleftheria Thanouli expands and substantially develops the innovative theoretical work of her previous publication, Post-classical Cinema: an International Poetics of Film Narration (2009). A Guide to Post-classical Narration: The Future of Film Storytelling presents a concise and comprehensive overview of the creative norms of the post-classical mode of narration. With dozens of cases studies and hundreds of color stills from films across the globe, this book provides the definitive account of post-classical storytelling and its techniques. After surfacing in auteur films in varied production milieus in the 1990s, the post-classical options continued to gain ground throughout the 2000s and 2010s, gradually fertilizing several mainstream productions in Hollywood. From Lars von Trier's Europa (1991) to Zack Snyder's Army of the Dead (2021) and Baz Luhrmann's Elvis (2022), the post-classical narration has shown not only impressive resilience but also tremendous creativity in transforming its key formal principles, such as fragmented and multi-thread plotlines, hypermediated realism, parody, graphic frame construction, complex chronology, and intense self-consciousness. Through the meticulous textual analysis of the post-classical works, Eleftheria Thanouli addresses head-on a series of methodological questions in narrative research and brings the tradition of historical poetics back into the limelight. By reinforcing her previous work with numerous new films as well as more nuanced narrative terms and concepts, she not only strengthens her position on post-classical cinema but also establishes the relevance of formalist analysis in the study of film today.


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