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This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical foc
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This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region,
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This book responds to recent debates on cultural participation and the relevance of music composed today with the first large-scale audience experience study on
Live Coding
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Staging Spectators in Immersive Performances
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At present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular, immersiv