Historical Affects and the Early Modern Theater

Historical Affects and the Early Modern Theater
Author :
Publisher : Routledge
Total Pages : 284
Release :
ISBN-10 : 9781317690696
ISBN-13 : 1317690699
Rating : 4/5 (699 Downloads)

Book Synopsis Historical Affects and the Early Modern Theater by : Ronda Arab

Download or read book Historical Affects and the Early Modern Theater written by Ronda Arab and published by Routledge. This book was released on 2015-05-15 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.


Historical Affects and the Early Modern Theater Related Books

Historical Affects and the Early Modern Theater
Language: en
Pages: 284
Authors: Ronda Arab
Categories: Literary Criticism
Type: BOOK - Published: 2015-05-15 - Publisher: Routledge

DOWNLOAD EBOOK

This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the ear
Poverty and Charity in Early Modern Theater and Performance
Language: en
Pages: 217
Authors: Robert Henke
Categories: Performing Arts
Type: BOOK - Published: 2015-08 - Publisher: University of Iowa Press

DOWNLOAD EBOOK

Whereas previous studies of poverty and early modern theatre have concentrated on England and the criminal rogue, Poverty and Charity in Early Modern Theatre an
A Cultural History of Theatre in the Early Modern Age
Language: en
Pages: 280
Authors: Robert Henke
Categories: History
Type: BOOK - Published: 2019-08-08 - Publisher: Bloomsbury Publishing

DOWNLOAD EBOOK

For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of n
Unruly Audiences and the Theater of Control in Early Modern London
Language: en
Pages: 498
Authors: Eric Dunnum
Categories: Performing Arts
Type: BOOK - Published: 2019-09-18 - Publisher: Routledge

DOWNLOAD EBOOK

Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing
Transnational connections in early modern theatre
Language: en
Pages: 487
Authors: M. A. Katritzky
Categories: Literary Criticism
Type: BOOK - Published: 2019-11-25 - Publisher: Manchester University Press

DOWNLOAD EBOOK

This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve ess