"Starting with a premise that memory holds a privileged place in contemporary experience, Theory for Theatre Studies: Memory explores the intersections between

Why has memory become such an important political tool in response to the challenges of modernity? How can performance be used to probe and recuperate aspects o

Theory for Theatre Studies: Emotion explores how emotion is communicated in drama, theatre, and contemporary performance and therefore in society. From Aristotl

How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory

How does theatre shape the body and perceptions of it? How do bodies on stage challenge audience assumptions about material evidence and the truth? Theory for T