Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as w

This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and

Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length

Political and cultural history and the arts combine in this engaging account of 1790s France. In 1799, when the French artist Jacques-Louis David (1748–1825)

Translation and the Arts in Modern France sits at the intersection of transposition, translation, and ekphrasis, finding resonances in these areas across period